Growth Charts
Rosie
read biographies. Her night stand at any given time held a ceramic
mug of peppermint tea and the life stories of people such as Marilyn
Monroe, Winston Churchill, Simone De Beauvoir, Andy Warhol, Tolstoy,
or Theodore Roosevelt. She considered biographies on par with
children's growth charts. She plotted points of her own life
achievements and compared them to the life-growth curve of others.
She knew, for example, that she would fall in the < fifth
percentile of sex symbol-ness as compared to Monroe but she perhaps
considered that she may fall into a > fifty percentile chance that
she would sip tea and write in coffee houses of Paris such as De
Beauvoir. She created life-growth charts with each biography she read and this resulted in towering stacks of folded pieces of paper settled on
her desk. The most outstanding and inspiring growth curves were pinned on a
cork board and she created her life goals based on these charts.
When Rosie was twenty-two she moved to Chicago to attend the Art Institute
of Chicago and found a job styling windows of a small boutique store
on Oak Street. She prided herself on the fact that the event was
almost equivalent to Mr. Warhol who moved to New York when he
was twenty-one and became a window dresser. Perhaps,
she considered, commercial illustration was in her future and per
Andy Warhol's growth chart, she expected such an event to occur in
six to eight years. She created a life goal around the prediction and refused to settle for less.
Her
hobby (she never admitted it to be an obsession although family
members did have their concerns) did not enhance her romantic life. She
found herself judging the life events of her dates as they compared
to the charts. And what political science graduate student could compete with the growth chart of Winston
Churchill? It was unfair and pretentious, her sister argued again and
again. Rosie did not realize she was breaking her own heart with such
lofty charts.
She
turned twenty-eight one snowy March and was actually on target with most of her life achievement goals but found herself unsatisfied and restless. She became fond of an aspiring
novelist and they spent many evenings discussing Polish political
literature published during the second war. While she adored their
conversations and the way she could actually feel the reverberations
of his voice when she sat next to him on a wooden bench, she was
disappointed how his life achievement faired against Tolstoy or even Jonathan Safran Foer. Her sister audibly sighed on the phone when
Rosie called her one morning with the news that the aspiring novelist
was not going to work out. The sound of another heart break was as angering to her sister who began to plot the death of the charts.
That
evening Rosie's father stole Rosie away for a drink on North Avenue while her
sister and mother (who was shamelessly dressed in a white sweatshirt featuring cats) snuck into Rosie's apartment and destroyed every chart they could find. Her sister was not an artist but she did bring a large
can of paint and several pictures. She removed the framed
illustrations that hung above the couch and spent two hours
constructing a new chart: Rosie's life-chart. Later, Rosie would not
be angry or even sad that almost 18 years of work was gone. Instead
she smiled and felt an astonishing amount of relief. Her sister's
chart had placed her as being perfectly where she should be. Which
was where she was.
I love these characters that you're creating. Beautiful writing Jenny.
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